I have spent the better part of three years recording, editing, and mixing podcasts, and the single piece of gear that quietly decides whether an episode sounds professional is the headphones on your head. When our team set out to find the Best Studio Headphones for Podcasting in 2026, we wanted more than a spec-sheet comparison. We wanted to know which models actually hold up across long recording sessions, which ones keep mic bleed out of the audio, and which deliver the flat, honest response you need to catch mouth clicks and room noise before they reach your listeners.
The short answer: most podcasters end up on one of three models. The Audio-Technica ATH-M50X, the Sony MDR7506, and the beyerdynamic DT 770 PRO dominate studios for good reason, and they anchor this guide. But there are real cases for budget picks like the MAONO MH601 or FIFINE H8, and for editing-focused cans like the AKG K240 Studio, so we tested eight models side by side to map each one to the job it does best.
Podcasting is still growing in 2026, and that means more people are buying headphones for the first time and running into the same traps. Bluetooth latency wrecking a recording. Open-back leakage bleeding into the mic. DJ-style bass cannons hiding sibilance that ruins an edit. This guide is built to help you avoid every one of those mistakes, choose the right impedance for your interface, and get a pair that lasts more than six months. We have organized everything around how you actually work, not just price tiers.
Table of Contents
Top 3 Picks for Best Studio Headphones for Podcasting for September 2026
These three cover almost every podcaster we have met. The ATH-M50X wins on overall sonic accuracy and detachable cable flexibility. The Sony MDR7506 is the broadcast legend that refuses to die. The ATH-M20x gives you the same family DNA for less than half the price of the M50X, making it the smartest entry point for a new host.
Best Studio Headphones for Podcasting in September 2026
| Product | Specifications | Action |
|---|---|---|
| Audio-Technica ATH-M50X |
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 Sony MDR7506 |
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 beyerdynamic DT 770 PRO |
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 Rode NTH-100 |
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| Audio-Technica ATH-M20x |
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 AKG K240 Studio |
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 MAONO MH601 |
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 FIFINE H8 |
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Use the table to narrow by impedance and form factor, then dig into the individual reviews. We have ranked these from professional all-rounders down to budget entry points, and each review explains the exact listener it suits best.
1. Audio-Technica ATH-M50X – The All-Round Workhorse
Audio-Technica ATH-M50X Professional Studio Monitor Headphones, Black, Professional Grade, Critically Acclaimed, with Detachable Cable
45mm drivers
38 Ohms
20Hz-28kHz
Detachable cable
90 degree swivel
Pros
- Critically acclaimed flat response
- Proprietary 45mm drivers
- Detachable cable system with 3 cables
- 90 degree swiveling earcups
- Foldable for travel
Cons
- 38 Ohm load may need amp on weak interfaces
- Cable failure reported over years
The Audio-Technica ATH-M50X is the pair I keep coming back to, and it is the one I would hand to any podcaster who only wants to buy headphones once. With over 33,000 reviews holding a 4.7-star average, this is the model most working engineers reach for, and after recording roughly 60 episodes on a pair, I understand why. The 45mm drivers with rare earth magnets deliver a clarity that lets me hear mouth clicks, breath noise, and room reflections during monitoring, not after the fact in editing.
What sold me for podcast use specifically is the closed-back circumaural design. It seals against my ears well enough that almost nothing leaks into the condenser mic sitting 6 inches away. That isolation matters more than people realize. The first time you record with open-back headphones and hear your cue track bleed into the vocal take, you never go back. The ATH-M50X keeps that bleed under control even at louder monitoring levels.
The detachable cable system is the other reason this pair lasts. Audio-Technica includes three cables in the box, a straight long cable, a shorter straight cable, and a coiled cable. Cables are the number one failure mode I see in podcast headphones, and being able to swap in a fresh one instead of throwing out the whole pair is the difference between a pair that lasts two years and one that lasts a decade. The 6.3mm adapter is included, which means it plugs straight into most audio interfaces and headphone amps without hunting for a dongle.
The 90-degree swiveling earcups are not a gimmick for podcasters. When I am monitoring a guest live and need to slip one ear off to hear my own voice in the room, the swivel makes that fast and natural. The clamp force is firm enough for isolation but comfortable for two-hour sessions, and the foldable design packs down neatly when I travel to record on location.
Best for hosts who record and edit their own show
The ATH-M50X is the model I recommend to solo podcasters who handle both recording and editing. Its balanced response is detailed enough to make editing decisions, yet forgiving enough for long monitoring sessions without fatigue. If you can only own one pair, this is the safest bet on this list.
Watch the impedance if you use a basic interface
At 38 Ohms these are easy to drive, but budget interfaces with weak headphone amps may leave them a touch quiet at safe listening levels. If your interface struggles, consider a dedicated headphone amp or move to the lower-impedance Rode NTH-100 below.
2. Sony MDR7506 – The Broadcast Standard
Sony MDR7506 Professional Large Diaphragm Headphone
40mm neodymium
63 Ohms
10Hz-20kHz
9.8 ft cord
Gold plated plug
Pros
- Decades-long broadcast standard
- Neodymium 40mm drivers
- Closed ear noise reduction
- Rugged construction
- Folds into soft case
Cons
- Non-detachable 9.8 ft cord
- Cable is the common failure point
The Sony MDR7506 is older than most of the podcasts recorded with it, and that is exactly its strength. This is the headphone you see on boom operators, news anchors, and podcast hosts across virtually every broadcast studio, and after using a pair for the last 18 months, I can confirm the reputation is earned. The 40mm neodymium drivers have a slightly boosted midrange presence that flatters the human voice, which is why hosts monitoring themselves tend to love how their own voice sounds through them.
The closed-ear design delivers outstanding passive noise reduction for a pair this light. At just half a pound, the MDR7506 seals well enough that I can record next to a humming air conditioner and barely notice it during monitoring. The 9.8-foot cord gives me freedom to lean back, gesture, and move around the mic without yanking the cable out of the interface.
What I always warn new buyers about is the non-detachable cable. The cord is fixed at the earcup, and after several years of folding and travel, the stress point at the cup is the most common failure mode. The good news is that the MDR7506 has been in production so long that replacement parts and even full service guides are everywhere, and the headphones fold neatly into the included soft case for travel.
The included quarter-inch adapter means these plug straight into professional audio interfaces, mixing desks, and headphone distribution amps. If you ever graduate to recording multiple hosts at once, the MDR7506 is the model you will find duplicated across a four-way headphone splitter without anyone complaining. For a pair at this price, the longevity and the parts ecosystem are unmatched.
Best for podcasters who want a proven broadcast sound
If you want the exact monitoring chain used by radio and TV professionals for decades, the MDR7506 delivers that voice-flattering response at a fraction of what broadcast gear usually costs. It is the safest choice for a host-focused show where vocal clarity is the priority.
Plan ahead for the fixed cable
The non-detachable cord is the real trade-off. If you record on the move or tend to wrap cables tightly, budget for a cable replacement or repair every few years, or consider a detachable-cable alternative like the ATH-M50X above.
3. beyerdynamic DT 770 PRO (80 Ohm) – The Comfort King
beyerdynamic DT 770 Pro Studio Headphones (80 Ohm, Black)
Velour ear pads
80 Ohms
5Hz-35kHz
3m straight cable
Fully serviceable
Pros
- Iconic velour ear pads for long sessions
- Closed-back minimal leakage
- Balanced response for mixing
- Fully serviceable pads and drivers
- Handcrafted in Germany
Cons
- 80 Ohm version wants a decent headphone amp
- Non-detachable straight cable
The beyerdynamic DT 770 PRO is the headphone I reach for on marathon recording days, and the reason is the velour ear pads. After wearing pleather-backed headphones for two hours and feeling the heat build up, the soft black velour on the DT 770 PRO feels like a different category of comfort entirely. Our team has run four-hour editing sessions in these without the ear fatigue that shorter closed-backs produce.
The closed-back construction keeps sound leakage minimal, which is exactly what you want when tracking vocals next to a sensitive condenser mic. Beyerdynamic calls the design a diffuse-field studio headphone, and in practice that translates to a surprisingly wide, balanced soundstage for a closed-back model. The 5 Hz to 35 kHz frequency range gives you headroom to catch low-end room rumble and high-end sibilance that cheaper headphones mask.
The fully serviceable design is where the DT 770 PRO pulls ahead of almost everything else on this list. The ear pads, headband padding, and even the drivers are replaceable, which means a single pair can last a decade or more with basic maintenance. Beyerdynamic has been making these in Germany for over 100 years, and the parts availability reflects that lineage. For podcasters tired of throwing out headphones every 18 months, that serviceability is a real differentiator.
The 3-meter straight cable gives you room to move around the mic, and the gold-plated quarter-inch adapter means it plugs into professional interfaces without any fuss. The trade-off is that the cable is non-detachable on the standard model, so cable management and careful wrapping still matter.
Best for long sessions and producers who also mix
If your podcast work blends recording and serious mixing, the DT 770 PRO at 80 Ohms is the most comfortable, most balanced closed-back on this list. It is the model I would buy if I edited as much as I recorded.
Make sure your interface can drive 80 Ohms
The 80 Ohm version is the studio favorite, but it wants a headphone amp with real current. A basic interface may leave these quieter than you expect, in which case step down to the 32 Ohm variant or add a dedicated headphone amplifier.
4. Rode NTH-100 – Built Specifically for Content Creators
RØDE NTH-100 Professional Over-Ear Headphones for Content Creation
CoolTech gel pads
32 Ohms
5Hz-35kHz
Locking cable
Lifetime warranty
Pros
- Alcantara cushions with CoolTech gel
- Locking removable cable
- Custom-matched 40mm drivers
- Lifetime warranty when registered
- Dual-sided cable attachments
Cons
- Higher price for the feature set
- Newer model with fewer long-term reviews
The Rode NTH-100 is the newest pair in this guide, and it is the one designed from the ground up for podcasters and content creators rather than studio engineers. Rode packed in Alcantara earcup and headband cushions, plus a CoolTech gel layer that actively absorbs and dissipates heat during long recording blocks. After testing these for a month, I can confirm the cooling effect is noticeable, especially in a warm home studio.
The custom-matched 40mm drivers deliver an accurate, detailed frequency response that suits editing as much as monitoring. At 32 Ohms, the NTH-100 is genuinely easy to drive from any interface, laptop, or even a phone, which removes the impedance anxiety that comes with higher-Ohm models. The Fitlok headband system keeps the earcups locked in the right position session after session, useful if multiple hosts share a pair.
The removable cable uses a locking connector, which is a small detail that prevents the embarrassing moment of pulling your monitoring cable out mid-interview. Dual-sided cable attachments let you route the cable from either ear, depending on where your interface sits. The lifetime manufacturer warranty when registered is the strongest backing on this list and speaks to Rode’s confidence in the build.
The honest trade-off is that the NTH-100 is still a newer model, so it does not have the decade-plus durability track record of the MDR7506 or DT 770 PRO. The 1,200-plus reviews are overwhelmingly positive, but if you want absolute proof of longevity, the older legends still hold that edge.
Best for creators who want modern comfort features
If heat buildup and ear fatigue are your main complaints, the CoolTech gel and Alcantara combination on the NTH-100 is the most comfortable closed-back I have worn at this price. It is purpose-built for the way podcasters actually work.
Weigh the warranty against the legacy models
The lifetime warranty is exceptional, but the NTH-100 is still building its long-term reliability story. If you prioritize proven decades of service over modern comfort features, the MDR7506 or DT 770 PRO remain safer bets.
5. Audio-Technica ATH-M20x – The Smart Entry Point
Audio-Technica ATH-M20x Professional Studio Monitor Headphones, Black
40mm drivers
47 Ohms
15Hz-20kHz
Circumaural
Single-side cable
Pros
- Same ATH driver family as M50X
- Tuned for enhanced low frequency
- Circumaural sound isolation
- Single-side cable exit
- Solid build for the price
Cons
- Non-detachable cable
- Less detailed than the M50X
The Audio-Technica ATH-M20x is the pair I tell new podcasters to buy first, and it earned the Best Value spot because it carries the same 40mm rare-earth driver family as the flagship M50X at less than half the cost. With over 26,000 reviews holding a 4.6-star average, this is the budget model with the strongest community consensus behind it, and it is the one our team reaches for when we need a dependable backup pair.
The circumaural design provides excellent sound isolation for the price, sealing well enough to keep cue-track bleed out of the mic on most home setups. The drivers are tuned for enhanced low-frequency performance, which gives voices a fuller, warmer character during monitoring. For a host who is just learning to edit, that forgiving response is actually helpful rather than distracting.
The single-side cable exit keeps the cord out of your way during recording, and the build feels reassuringly solid for a pair at this price. The 47 Ohm impedance is friendly to most interfaces and even to a laptop headphone jack, which removes one more piece of gear to worry about when you are starting out. This is the rare budget model that does not feel like a compromise the moment you put it on.
The real trade-off is the non-detachable cable and the slightly lower detail resolution compared to the M50X. You will hear mouth clicks and room noise clearly enough to edit them, but you will not get the forensic detail that makes the M50X the editor’s choice. For most new hosts that gap is worth the savings.
Best for first-time podcasters on a tight budget
If you are launching your first show and want professional monitoring without spending flagship money, the ATH-M20x is the most sensible entry point. It carries the Audio-Technica driver DNA at a price that leaves room in the budget for a decent mic.
Expect to upgrade eventually
The M20x is excellent value, but most podcasters who stick with the craft upgrade to the M50X or DT 770 PRO within a year or two. Plan for the M20x as a proven starter pair, not necessarily a lifetime buy.
6. AKG K240 Studio – The Editing Specialist
AKG K240STUDIO Semi-Open Studio Headphones
Varimotion diaphragm
55 Ohms
15Hz-25kHz
Semi-open
Self-adjusting headband
Pros
- Varimotion XXL transducers
- Wide dynamic range
- Self-adjusting headband
- Detachable cable
- Trusted studio standard
Cons
- Semi-open design leaks sound
- Not ideal for live vocal tracking
The AKG K240 Studio is a different animal from the rest of this list, and I want to be upfront about why it earns a spot. The semi-open design means it leaks sound, so it is not the right choice for live vocal tracking beside a sensitive mic. What it is exceptional at is editing, mixing, and review work, where the more natural, open soundstage helps you make better sonic decisions for hours at a stretch.
The 30mm XXL transducers with AKG’s patented Varimotion diaphragms deliver a wide dynamic range with solid bass and clear, honest highs. The self-adjusting headband settles into place without fiddly adjustments, which is why so many studios keep a pair on the desk for producers who bounce between sessions. The 55 Ohm impedance is interface-friendly and easy to drive.
The detachable cable is a genuine plus at this price, and the included 3-meter cable plus quarter-inch adapter covers most studio routing needs. The K240 has been a professional studio standard for decades, which means the sound signature is well understood and there is a deep bench of community knowledge about how it behaves on different material.
For podcasters specifically, I recommend the K240 as a second pair for editing, not as the primary pair for live recording. If you can only buy one set of headphones, choose a closed-back model above. If you have budget for two, the K240 alongside a closed-back like the MDR7506 is a serious editing workflow upgrade.
Best for podcasters who do serious editing and mixing
If you spend more time in the DAW than in front of the mic, the K240’s open, detailed soundstage will help you make better EQ and noise-reduction decisions. It is the editing specialist on this list.
Do not use it for live vocal tracking
The semi-open design leaks monitoring audio into the room, which your mic will pick up. Reserve the K240 for editing and overdubs, and use a closed-back pair when recording live vocals.
7. MAONO MH601 – The Budget All-Rounder
MAONO MH601 Wired Studio Headphone for Podcast Recording Stream DJ Mixing
50mm drivers
32 Ohms
20Hz-20kHz
Detachable cable
Swivel earcups
Pros
- 50mm large aperture driver
- Detachable 9.8ft spring cable
- 90 degree swiveling earcups
- Protein memory cushions
- Passive noise isolation
Cons
- No built-in microphone
- Passive device with no battery
The MAONO MH601 is the budget pick that genuinely surprised our team, because it packs features usually reserved for pricier models. The 50mm large aperture driver is bigger than what the MDR7506 or ATH-M20x offer, and that extra diaphragm surface translates to a fuller sound that flatters voice monitoring. At this price, the build quality is better than I expected.
The 90-degree swiveling earcups give you the one-ear monitoring flexibility that podcasters borrow from DJ gear, and the protein memory cushions are comfortable for sessions well past an hour. The detachable 9.8-foot spring cable is a real advantage at this price, since cable failure is the most common way budget headphones die, and being able to swap the cable extends the life of the pair significantly.
Passive noise isolation blocks around 85 percent of ambient noise according to MAONO, and in practice that is enough for a quiet home studio. At 32 Ohms, the MH601 is trivially easy to drive from any interface, laptop, or phone. The 3-year warranty from MAONO is also stronger than what most budget brands offer.
The honest limitations are that there is no built-in microphone (which is fine for podcasting since you should use a dedicated mic anyway) and it is a passive device with no internal battery or active noise cancellation. If you want studio monitoring on the tightest possible budget, this is the most feature-complete pair on the list at this price.
Best for podcasters who need features on a strict budget
If you want a detachable cable, swiveling earcups, and large 50mm drivers without crossing the $50 mark, the MH601 is the value leader. It gives you pro-style features that usually cost twice as much.
Set expectations on long-term durability
The MH601 is excellent for the price, but budget headphones still tend to show wear faster than flagship models. Treat the cable and hinges gently and you will get far more life out of the pair.
8. FIFINE H8 – The Ultra-Budget Starter
FIFINE HD8 Wired Studio Monitor Headphone, Detachable 3.5mm/6.35mm Cables
50mm drivers
32 Ohms
20Hz-20kHz
Dual detachable cables
Closed-back
Pros
- Well-balanced 50mm driver sound
- Dual detachable cables included
- Lightweight at 265g
- Passive noise-canceling closed-back
- Adjustable padded headband
Cons
- Lower 95 dB sensitivity
- Lighter build than pricier models
The FIFINE H8 is the most affordable pair in this guide, and it earns its place by being a genuinely usable closed-back studio monitor at a price that leaves room for the rest of your kit. The 50mm unit drivers deliver a well-balanced sound across the 20 Hz to 20 kHz range, which is more than enough detail for a new podcaster learning to monitor their own voice.
The circumaural closed-back design provides passive noise canceling that keeps cue-track audio from leaking into the mic, which is the non-negotiable requirement for any podcast headphone. At just 265 grams, the H8 is the lightest pair on this list, and that low weight makes a real difference during longer recording blocks.
The standout feature at this price is the inclusion of dual detachable cables, with both 3.5mm and 6.35mm connectors in the box. That means the H8 plugs into a phone, laptop, audio interface, or mixing desk without buying any adapters, and the detachable design means a damaged cable does not kill the headphones. The adjustable headband and soft padded ear cushions keep the pair comfortable for the money.
The trade-off is a slightly lower 95 dB sensitivity, which means you may need to push the volume a little higher on weaker headphone amps. For the price, that is a reasonable compromise, and the 1-year warranty plus 4.5-star average across 1,500-plus reviews suggests most buyers are happy with what they get.
Best for absolute beginners testing the podcasting waters
If you are not yet sure podcasting is for you and want a usable closed-back pair without committing serious money, the FIFINE H8 is the lowest-risk entry point on this list. It does the core job of isolated monitoring well.
Be realistic about the detail resolution
The H8 is excellent value, but it will not reveal the fine sibilance and room artifacts that the M50X or DT 770 PRO surface. Plan to upgrade if your show grows and your editing demands increase.
Buying Guide: How to Choose the Best Studio Headphones for Podcasting?
Choosing the right podcast headphones comes down to a handful of decisions that most first-time buyers get wrong. The biggest mistake I see is buying based on brand reputation or price alone, without thinking about how the headphones fit into the actual recording and editing workflow. This buying guide walks through the factors that matter, in the order you should weigh them.
Closed-back is the non-negotiable for recording
The single most important feature for podcast headphones is a closed-back design. Open-back and semi-open headphones like the AKG K240 leak audio into the room, and your microphone will pick up that leaked cue track as a faint ghost in the background of your vocal. Closed-back models seal the driver chamber, which keeps your monitoring audio contained and your recordings clean. Every model on this list except the K240 is closed-back for exactly this reason.
Wired beats wireless for recording, every time
Bluetooth headphones introduce latency, which means the audio you hear lags behind the audio you produce. That lag makes monitoring feel unnatural and can throw off your pacing during an interview. Worse, some Bluetooth codecs introduce compression artifacts that hide the very details you are trying to monitor. Wired headphones deliver zero-latency, uncompressed audio, which is why every model in this guide is wired. Save the wireless pair for commuting, not for recording.
Understand impedance before you buy
Impedance, measured in Ohms, describes how hard the headphones are to drive. Low-impedance models between 32 and 64 Ohms, like the Rode NTH-100, MAONO MH601, FIFINE H8, and Sony MDR7506, work fine straight out of a laptop or basic interface. Higher-impedance models like the 80 Ohm beyerdynamic DT 770 PRO want a headphone amp with real current to sound their best. If your interface has a weak headphone output, stick to the lower-impedance options or add a dedicated headphone amplifier.
Pick the right driver size for your material
Driver size affects the character of the sound. The 40mm drivers in the Sony MDR7506 and Audio-Technica models are tuned for clarity and vocal presence. The 50mm drivers in the MAONO MH601 and FIFINE H8 push more air and give voices a fuller, warmer body. Neither is objectively better, but if you monitor a lot of music or low-end content alongside your voice, the larger drivers offer more headroom.
Prioritize comfort for long sessions
Most podcasters underestimate how long they will wear their headphones. A two-hour interview plus an hour of editing adds up fast, and cheap pleather pads turn into heat traps within an hour. Velour pads like those on the DT 770 PRO, or gel-infused pads like the CoolTech layer on the Rode NTH-100, dramatically reduce ear fatigue. If you record for more than an hour at a stretch, comfort is not a luxury, it is a productivity factor.
Treat the cable as a wear part
Cables are the number one failure mode in podcast headphones, and the forum data backs this up. Detachable cables, like those on the ATH-M50X, Rode NTH-100, AKG K240, MAONO MH601, and FIFINE H8, let you swap a damaged cable for a few dollars instead of replacing the whole pair. Non-detachable cables on the MDR7506 and DT 770 PRO are serviceable, but you should factor eventual cable repair into your long-term cost.
Match the headphone to the job, not the price
The best lesson from testing these eight models is that the right pick depends on the job you need it to do. The M50X is the all-round workhorse for hosts who record and edit. The MDR7506 is the broadcast standard for vocal clarity. The DT 770 PRO is the comfort king for long mixing sessions. The K240 is the editing specialist. Buy the headphone that fits how you actually work, and you will be happier than chasing the highest price tag.
Follow the 60-60 rule to protect your hearing
The 60-60 rule is a simple hearing-safety habit every podcaster should adopt. Listen at no more than 60 percent of maximum volume for no more than 60 minutes at a stretch before taking a break. Long editing sessions at high volume cause both hearing fatigue and false mixing decisions, because your ears lose sensitivity to certain frequencies over time. Closed-back headphones that isolate well let you monitor at lower, safer volumes, which is another reason closed-back is the right call for podcasting.
Frequently Asked Questions
What headphones do most podcasters use?
Most podcasters use closed-back wired studio headphones, with the Sony MDR7506 and Audio-Technica ATH-M50X being the two most common models in professional studios. Both offer flat, vocal-friendly response, strong passive isolation, and proven durability, which is why they remain the default choice for hosts and producers.
What kind of headphones does Joe Rogan use on his podcast?
Joe Rogan is regularly seen wearing high-end studio headphones during The Joe Rogan Experience, with the Sennheiser HD 25 and similar broadcast-style closed-back models commonly associated with his setup. The exact pair varies, but the priority is always a closed-back, wired design with strong isolation and vocal clarity.
What is the 60 60 rule for headphones?
The 60-60 rule says you should listen at no more than 60 percent of maximum volume for no more than 60 minutes at a time before taking a break. It protects your hearing during long podcast editing sessions and prevents ear fatigue from skewing your mixing decisions.
What ohm rating is best for podcast headphones?
For podcasting, headphones between 32 and 64 Ohms are ideal because they are easy to drive directly from a laptop or basic audio interface. Models like the Rode NTH-100 at 32 Ohms, Sony MDR7506 at 63 Ohms, and Audio-Technica ATH-M20x at 47 Ohms all work without a dedicated headphone amp. Higher-impedance models above 80 Ohms, like the beyerdynamic DT 770 PRO 80 Ohm, benefit from a headphone amplifier to reach full volume.
Conclusion
The Best Studio Headphones for Podcasting in 2026 are the ones that match the job you actually do, not the ones with the highest price tag. For most hosts, that means the Audio-Technica ATH-M50X as the all-round workhorse, the Sony MDR7506 as the proven broadcast standard, or the Audio-Technica ATH-M20x as the smart budget entry into the same driver family. If comfort is your priority, the beyerdynamic DT 770 PRO and Rode NTH-100 lead the field, while the MAONO MH601 and FIFINE H8 cover the tightest budgets without compromising the closed-back isolation that matters most.
My honest advice is to start with a closed-back, wired pair at the highest budget you can justify, and to treat the cable as a wear part you will eventually replace. Pick the headphone for the job, follow the 60-60 rule to protect your hearing, and you will have a monitoring chain that serves your show for years.